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Microscopic analysis of 'iron spot' on blue-and-white porcelain from Jingdezhen imperial kiln in early Ming dynasty (14th-15th century)

机译:景德镇御窑青花瓷“铁斑”的微观分析(14-15世纪)

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摘要

"Sumali," as an imported cobalt ore from overseas, was a sort of precious and valuable pigment used for imperial kilns only, which produces characteristic "iron spot" to blue-and-white porcelain in early Ming Dynasty (A.D. 14th-15th century). Although there were some old studies on it, the morphology and formation of iron spot has not been fully investigated and understood. Therefore, five selected samples with typical spot from Jingdezhen imperial kiln in Ming Yongle periods (A.D. 1403-1424) were analyzed by various microscopic analysis including 3D digital microscope, SEM-EDS and EPMA. According to SEM images, samples can be divided into three groups: un-reflected "iron spot" without crystals, un-reflected "iron spot" with crystals and reflected "iron spot" with crystals. Furthermore, 3D micro-images revealed that "iron spots" separate out dendritic or snow-shaped crystals of iron only on and parallel to the surface of glaze for which "iron spot" show strong metallic luster. Combining with microscopic observation and microanalysis on crystallization and non-crystallization areas, it indicates that firing oxygen concentration is the ultimate causation of forming reflective iron spot which has a shallower distribution below the surface and limits crystals growing down. More details about characters of "iron spot" used "Sumali" were found and provided new clues to coloration, formation mechanism and porcelain producing technology of imperial kiln from 14th to 15th centuries of China.
机译:“ Sumali”是从国外进口的钴矿石,是一种仅用于御窑的珍贵颜料,在明初(公元14至15世纪)对青花瓷产生了独特的“铁斑”。 )。尽管对其进行了一些古老的研究,但是铁斑点的形态和形成尚未得到充分的研究和理解。因此,通过包括3D数码显微镜,SEM-EDS和EPMA在内的各种微观分析,从明代永乐年(公元1403-1424年)的景德镇御窑中选取了五个具有典型斑点的样品进行了分析。根据SEM图像,样品可分为三类:无晶体的无反射“铁斑”,有晶体的无反射“铁斑”和有晶体的反射“铁斑”。此外,3D显微图像显示“铁斑”仅在釉表面上并平行于釉表面分离出铁的树状或雪状晶体,“铁斑”显示出强烈的金属光泽。结合对结晶区和非结晶区的显微观察和微观分析,表明烧成中的氧浓度是形成反射铁斑的最终原因,该反射铁斑在表面以下分布较浅,限制了晶体的生长。发现了有关“ Sumali”使用的“铁斑”特征的更多细节,并为中国14至15世纪帝国窑的着色,形成机理和瓷器生产技术提供了新的线索。

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