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Signs of power: Fascist urban iconojgraphies in Ethiopia (1930s-1940s)

机译:权力的迹象:埃塞俄比亚的法西斯主义城市象形文字(1930年代至1940年代)

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The aim of the present paper is to compare tow different patterns of urban iconographies in Ethiopia during 1930s: the one of the Amhara - the traditionally Ethiopian dominant ethnic group - and the one of the Italian fascism. The paper gives an historical account of the structure of the Amhara settlements, focusing on the ways the power of their politico-military chiefs, being they the Negus or the Ras, shaped the spatial order of these settlements. When the Italians conquered military Ethiopia in 1936, they started re-shaping this spatial order, erasing the signs of the previous power and imposing their new iconographic apparatus. This was mainly done through urban planning which was devised to 'write' the Fascist concepts of progress, order, hierarchy, and racial segregation on the territory. Owing to the sort duration of the occupation, the poor material conditions of the colony and the lack of financial resources, such town-planning projects turned out to be just a political rhetoric exercise.
机译:本文的目的是比较1930年代埃塞俄比亚的两种不同的城市肖像画模式:一个是传统的埃塞俄比亚占主导地位的阿姆哈拉族,另一个是意大利法西斯主义。该文件对阿姆哈拉(Amhara)定居点的结构进行了历史描述,着眼于他们的政治军事首领的权力(无论是纳格斯还是拉斯)如何塑造了这些定居点的空间秩序。当意大利人于1936年征服埃塞俄比亚军事力量时,他们开始重塑这种空间秩序,消除了以前的力量迹象,并强加了他们的新制图设备。这主要是通过城市规划来完成的,该规划旨在“书写”法西斯主义在该领土上的进步,秩序,等级和种族隔离的概念。由于占领的持续时间,殖民地的物质条件恶劣以及缺乏财政资源,这种城镇规划项目实际上只是一种政治言论。

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