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首页> 外文期刊>International Journal of Cardiology >The Three Graces: Canons of beauty or disease repulsion
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The Three Graces: Canons of beauty or disease repulsion

机译:三惠:美女或疾病排斥的佳能

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Background The theme of the Three Graces has been approached by several artists and writers but very few physicians. Methods Here distinct versions of the Three Graces are considered through the lens of medical analysis and contemporary conceptions of ideal beauty. Results Graces have been traced back to the same origins as the Nymphs, old goddesses of nature and representation, and being also a paradigm of beauty. This is in stark contrast to Rubens's Three Graces, who present womanly traits such as voluptuousness and full, round forms. It is paradoxical that when analysed medically, these painted women show signs of disease that inevitably affect our reading of the image. Medical conditions include presence of overweight close to obesity with a calculated BMI between 26 and 29 associated with an increased risk of cardiovascular disease. Conclusions Today canons of beauty comprise women with BMI of 20 or less, a figure associated with increased risks of anorexia and suicide. It seems we approach the paradox that beauty and repulsion will always go hand in hand, shifting together with our changing perception over time.
机译:背景技术“三惠”的主题已经由数位艺术家和作家提出,但很少有医师。方法在这里,通过医学分析和理想之美的当代观念来考虑“三惠”的不同版本。结果恩宠的历史可以追溯到与若虫,自然和表象的古老女神一样的起源,同时也是美的典范。这与鲁本斯的《三个恩惠》形成鲜明对比,鲁本斯的《三个恩惠》展现了女性的特质,如性感和圆润的身材。自相矛盾的是,如果从医学角度进行分析,这些彩绘的妇女表现出不可避免地影响我们阅读图像的疾病迹象。医疗条件包括存在接近肥胖的超重,BMI在26至29之间,与心血管疾病的风险增加相关。结论如今,美丽的佳丽包括BMI不超过20的女性,这一数字与厌食和自杀的风险增加有关。似乎我们正面临一个悖论,那就是美丽和排斥总是并存的,随着时间的流逝我们的感知力也在不断变化。

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