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Sensing Aliveness: An Hypothesis on the Constitution of the Categories 'Animate' and 'Inanimate'

机译:感知活力:关于“动画”和“无生命”类别构成的假说

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This study examines whether the categories animate/inanimate might be formed on the basis of information available to the cognitive system. We suggest that the discrimination of percepts according to these categories relies on proprioceptive information, which allows the perceiving subject to know that he is 'animate'. Since other 'objects' in the world exhibit movements, reactions, etc. similar to those that the subject experiences himself, he can 'project' his knowledge onto these objects and recognize them as 'animate' like himself. On this basis we try to corroborate the empricist position in the debate concerning the organization of knowledge as opposed to the nativist view. Furthermore, we argue that the categorical dichotomy animate/inanimate is more basic than other analogous ones such as livingon-living, biologicalon-biological and we sketch a 'categorical stratification' following the line 'humans-animals-plants' based on the hypothesis that humans detect different degrees of 'vitality' according to the degree of similarity they recognise between the considered instance and themselves.
机译:这项研究检查是否可以基于认知系统可用的信息来形成类别有生命/无生命。我们建议,根据这些类别对知觉的辨别依赖于本体感受信息,这使知觉的受试者知道他是“有生命的”。由于世界上的其他“物体”表现出的运动,反应等与受试者自身经历的相似,因此他可以将自己的知识“投射”到这些物体上,并像他们一样将它们识别为“动画”。在此基础上,我们试图在有关知识组织的辩论中证实经验主义者的立场,这与自然主义观点相反。此外,我们认为有生命/无生命的二分法比其他类似方法(如生活/非生命,生物/非生物)更为基本,我们根据“人类-动物-植物”线来勾画“分类分层”基于这样一个假设,即人类根据所识别的实例与自身之间的相似程度来检测不同程度的“活力”。

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