...
首页> 外文期刊>Brain: A journal of neurology >Pathophysiological differences between musician's dystonia and writer's cramp.
【24h】

Pathophysiological differences between musician's dystonia and writer's cramp.

机译:音乐家的肌张力障碍和作家的抽筋之间的病理生理差异。

获取原文
获取原文并翻译 | 示例
   

获取外文期刊封面封底 >>

       

摘要

Focal hand dystonia (FHD) has been suggested to be a maladaptive response of the brain to repetitive performance of stereotyped and attentionally demanding hand movements. However, not all patients with FHD have a strict history of excessive hand use; for example, patients with musician's dystonia (MD) spend many hours per day with their attention focused on instrumental practice, whereas many patients with writer's cramp (WC) have a history of average hand use. The present experiments test whether seven MD and six WC patients have different pathophysiological deficits by examining the spatial pattern of sensorimotor organization in the motor cortex. Two control groups were used, eight healthy non-musicians and eight healthy musicians. The latter served to control for physiological adaptation of the brain to musical training. We used focal vibration of a single hand muscle to produce sensory input whilst the excitability of corticospinal outputs to the vibrated and other hand muscles was evaluated withtranscranial magnetic stimulation. In healthy non-musicians, vibration increases the amplitude of motor-evoked potentials and decreases the short-latency intracortical inhibition (SICI) in the vibrated muscle, whilst having the opposite effect on the non-vibrated hand muscles. The pattern of sensorimotor interaction was abnormal in both patient groups. However, the nature of the deficit differed between them. While vibration had little effect on cortical excitability in WC, it strongly reduced SICI in all hand muscles irrespective of spatial organization in MD. In the healthy musicians we found an organization intermediate between that of healthy non-musicians and MD. The data are consistent with a model in which musical practice in healthy musicians leads to beneficial changes in organization of the motor cortex, but in MD these progress too far and begin to interfere with movement rather than assist it. The fact that sensory input had no effect on motor output in patients with WC suggests that sensory information from the hand may play a smaller role in provoking pathological changes in WC than in MD.
机译:局灶性手肌张力障碍(FHD)已被认为是大脑对定型且注意力集中的手部动作重复表现的适应不良反应。但是,并非所有的FHD患者都有严格的过度使用手法的历史。例如,患有音乐家肌张力障碍(MD)的患者每天花费很多小时,而注意力都集中在工具练习上,而许多患有作家抽筋(WC)的患者都有平均手部使用的历史。本实验通过检查运动皮层感觉运动组织的空间格局,测试了7位MD患者和6位WC患者是否具有不同的病理生理缺陷。使用了两个对照组,八名健康的非音乐家和八名健康的音乐家。后者用于控制大脑对音乐训练的生理适应。我们使用单只手部肌肉的局部振动来产生感觉输入,同时通过经颅磁刺激评估皮质脊髓输出物对振动的和其他手部肌肉的兴奋性。在健康的非音乐家中,振动会增加运动诱发电位的幅度,并降低振动肌肉中的短时皮质内抑制(SICI),同时对非振动手部肌肉产生相反的影响。两组患者的感觉运动相互作用模式均异常。但是,赤字的性质在它们之间是不同的。尽管振动对WC中的皮层兴奋性影响不大,但无论MD中的空间组织如何,振动都会大大降低所有手部肌肉的SICI。在健康的音乐家中,我们发现组织介于健康的非音乐家和MD之间。数据与模型相符,在模型中,健康音乐家的音乐实践会导致运动皮层组织的有益变化,但在MD中,这些进展太深,开始干扰运动而不是帮助运动。感觉输入对WC患者的运动输出无影响这一事实表明,手部的感觉信息在引起WC病理改变方面可能比MD发挥较小的作用。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号