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Identification of Precious Artefacts: The Sonic Imprint for Small Artefacts

机译:珍贵文物的识别:小文物的声波烙印

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Identification of artworks is mainly based on a few characteristics which can be observed using non-invasive tools (sight, touch, simple instruments), the investigated properties being geometry, weight, colours, texture, etc. Nowadays, technology allows reproducing all these characteristics to such an extent that even expert conservators can be deceived: in particular at the present time even the geometry of an artwork can be easily reproduced with the help of laser scanner analysis and with a rapid prototyping machine or a computer numerical control (CNC) milling machine. We propose a new tool, the Sonic Imprint, producing a code capable of identifying a rigid artefact from its vibrational resonance frequencies beyond doubt. In fact the vibration modes of an artefact strongly depend on the spatial distributions of its density and elastic parameters, as well as on its internal defects, definable in terms of abrupt changes of elastic properties in a small portion of the object. Then even small differences of these properties (differences usually present even among "identical" objects produced with industrial methods, at least in terms of defects) give appreciable variations of the Sonic Imprint codes, allowing secure identification of artworks, prevention of clonation and even damage monitoring. Moreover the procedure is really robust, rapid, inexpensive and not invasive. We tested it on a large number of commercial objects with the same shape and dimension and on many artworks in archaeological museums: an example is described. The application of this methodology to small-size artefacts (from small stones, vessels, pottery to medium-large coins) involves some problems in the detection of the Sonic Imprint. The problems, just due to the smaller sizes of this kind of objects, arise from the presence of higher resonance frequencies and larger damping of the induced vibrations. This implies that probes and instrumentation should be replaced to be adapted to the new experimental conditions.
机译:艺术品鉴定主要基于一些特征,可以使用非侵入性工具(视觉,触摸,简单的仪器)观察到这些特征,所研究的特征是几何形状,重量,颜色,纹理等。如今,技术允许再现所有这些特征达到甚至可以欺骗专家保护者的程度:特别是在当前,借助激光扫描仪分析,快速成型机或计算机数控(CNC)铣削,甚至艺术品的几何形状都可以轻松复制机。我们提出了一种新的工具,即Sonic印记,它产生的代码可以毫无疑问地从其振动共振频率中识别出刚性工件。实际上,人工制品的振动模式在很大程度上取决于其密度和弹性参数的空间分布,以及其内部缺陷,这些缺陷可以根据物体的一小部分弹性特性的突然变化来定义。然后,即使这些特性的微小差异(即使是通过工业方法生产的“相同的”物体之间通常也存在差异,至少在缺陷方面也存在差异)会产生明显的Sonic印记代码变化,从而可以安全地识别艺术品,防止克隆甚至损坏监控。而且,该过程确实是鲁棒的,快速的,廉价的且无创的。我们在大量具有相同形状和尺寸的商业物品以及考古博物馆的许多艺术品中对其进行了测试:以一个示例为例。这种方法在小型文物(从小石头,器皿,陶器到中型硬币)上的应用在声波痕迹的检测中涉及一些问题。这些问题仅仅是由于这类物体的尺寸较小而引起的,这是由于存在较高的共振频率和较大的感应振动阻尼而引起的。这意味着应更换探头和仪器以适应新的实验条件。

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