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Paper at the Nexus of Being and Place: A Conversation on How Art and Science Interpret Human Origins in Kenya

机译:位于的Nexus和地点的纸张:关于艺术和科学如何解释肯尼亚的人类的对话

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In 2016 I received a Smithsonian Artist Research Fellowship for my project,“The Nexus of Being and Place: Interpreting Human Origins.”Two scientists from the Human Origins Program at the Natural History Museum in Washington,DC advised me: Dr.Richard(Rick)Potts and Dr.Kay Behrensmeyer,each with expertise in paleoanthropology,paleoecology,paleobiology,and geology.In October 2016,I began drawingfossil casts at the museum using colored pencil on various papers I made from hemp,flax,linen,or abaca.In the summer of 2017,I took my handmade paper to Nairobi,and drew from original fossils of early humans and fauna in the collection of the Nairobi National Museum.Camping with scientists at Olorgesailie,I drew their excavation sites.In the spring of 2018,at Carriage House Paper in Brooklyn,New York,I made embossed pulp paintings based on the drawings,and continued this work in my own studio through 2018.This conversation with project advisor Rick Potts took place in Washington,DC at the Smithsonian National Museum of Natural History on April 17,2018.
机译:2016年,我收到了我的项目的史密森艺术家研究奖学金,“位于和地方的Nexus和地名:解释人类起源。”两位来自华盛顿自然历史博物馆的人类起源计划的两个科学家,DC建议我:Dr.Richard(Rick )Potts和Dr.Kay Behrensmeyer,每个人都具有古天花学,古生态学,古生物学和地质学的专业知识。2016年10月,我开始在博物馆上使用彩色铅笔在我用大麻,亚麻,亚麻或亚马马纳制成的各种论文上使用彩色铅笔在博物馆上进行绘图霉菌。在2017年夏天,我将手工纸带到内罗毕,并从早期人类和动物群的原始化石中加入了内罗毕国家博物馆。用奥洛尔格省的科学家们掌握,我画了他们的挖掘网站。在2018年春天,在纽约布鲁克林的汽车纸上,我根据图纸制作了压花纸浆绘画,并在我自己的工作室到2018年继续这项工作。与项目顾问Rick Potts的谈话在华盛顿特区举行的史密斯森4月17,2018年4月17,2018的国家自然历史博物馆。

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