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The role of temporal inversion in the perception of realistic and morphed dynamic transitions between facial expressions

机译:时间反转在面部表情之间现实和变形动态转换感的作用

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Recent studies suggest that video recordings of human facial expressions are perceived differently than linear morphing between the first and last frames of these records. Also, observers can differentiate dynamic expressions presented in normal versus time-reversed frame orders. To date, the simultaneous influence of dynamics (natural or linear) and timeline (normal or reversed) has not yet been tested on a wide range of dynamic emotional expressions and the transitions between them. We compared the perception of dynamic transitions between basic emotions in realistic (human-posed) and artificial (linearly morphed) stimuli which were presented in reversed or non-reversed order. The nonlinearity of realistic stimuli was demonstrated by automated facial structure analysis. The results of the behavioral study revealed that the recognition of emotions in time-reversed stimuli significantly differed from recognition of the normally presented ones, and this difference was substantially higher for videos of a dynamic human face than for linear morphs. Emotions displayed at the end of the transitions were recognized better than the first-frame emotions in all types of stimuli except in the time-reversed videos, which showed a similar recognition rate for both the starting and ending emotions. Our findings suggest that nonlinearity, which is present in a realistic facial display but absent in linear morphing, is an important cue for emotion perception, and that unnatural perceptual conditions (inversion in time) make the recognition of emotions more difficult. These results confirm the ability of the human visual system to use subtle dynamic cues on an interlocutor’s face, and reveal its sensitivity to the timeline organization of the displayed emotions.
机译:最近的研究表明人类表情的视频录制被认为与这些记录的第一帧和最后帧之间的线性变形不同。此外,观察者可以区分正常与时间反转帧订单中的动态表达式。迄今为止,尚未在广泛的动态情绪表达式和它们之间的过渡方面测试动态(自然或线性)和时间轴(正常或逆转)的同时影响。我们比较了现实(人为)和人工(线性变形)刺激的基本情绪之间的动态转变的感知,其以逆转或非逆转顺序呈现。通过自动面部结构分析证明了现实刺激的非线性。行为研究的结果表明,识别时间反转刺激的情绪与识别通常呈现的刺激显着不同,并且这种差异对于动态人体脸的视频的视频显着高于线性变形。在过渡结束时显示的情绪比在时间反转视频中的所有类型的刺激中更好地认识到,除了时间倒车视频,这表明了起始和结束情绪的识别率类似。我们的研究结果表明,在现实的面部展示中存在但在线性的情况下存在的非线性是情感感知的重要提示,并且不自然的感知条件(时间反转)使得对情绪更加困难。这些结果证实了人类视觉系统在对话者面部使用微妙的动态线索的能力,并揭示了对显示情绪的时间线组织的敏感性。

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