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Genesis of the Idea of Using Folk Arts and Crafts Elements in Teaching and Upbringing in Classical Ukrainian and Western European Pedagogical Thought

机译:在古典乌克兰和西欧教学思想中使用民间艺术与工艺元素的创新与工艺元素的思想

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The article aims to identify the origins and analyze the development of the idea of applying folk arts and crafts elements in teaching and upbringing in the works of Ukrainian and Western European classical educators. The conceptual analysis of the classical national and foreign pedagogical thought, taking into account the specificity of the studied artistic-educational phenomenon, allowed determining the foundations of scientific-theoretical understanding of decorative and applied arts as a subject of pedagogical research. In the course of the study, a positive attitude of the outstanding figures of education and culture towards the introduction of folk pedagogy elements, in particular traditional arts and crafts, was revealed, namely the views of prominent figures of Ukrainian national pedagogy, writers, philosophers (Hryhorii Skovoroda, Oleksandr Dukhnovych, Lesia Ukrainka, Ivan Franko, Anton Makarenko, Vasyl Sukhomlynskyi, Taras Shevchenko); Ukrainian and Russian teacher of Ukrainian origin Konstiantyn Ushynskyi, who first introduced the concept of "folk pedagogy" to scientific discourse; Russian Soviet scholar-teacher, researcher of Chuvash folk pedagogy, founder of the term "ethno-pedagogy" Hryhorii Volkov; Western European theorists-philosophers, scientistspedagogues (I. Bazedov, B. Blache, H. Campe, H. Saltzman, D. Diderot, J. Comenius, J. Locke, R. Owen, J. Pestalozzi, J.-J. Rousseau, I. Heusinger). At the same time, the article analyzes the works of foreign art theorists, propagandists of the world movement for the unity of arts and crafts (G. Semper, V. Morris, A. Riegl, J. Ruskin), whose scientific-theoretical works have contributed to the improvement of the status of decorative and applied arts in the history of art education development in Ukraine in the 19th - early 20th centuries. The findings of the study traced general features of the genesis of pedagogical ideas of foreign and domestic scientists on the development of art education in the field of arts and crafts as a basis for introduction of decorative and applied arts in the institutions of art and general education in Ukraine.
机译:本文旨在识别起源,分析乌克兰和西欧古典教育工作者的教学和培养中应用民间艺术和工艺元素的发展。古典国家和外国教学思想的概念分析,考虑到学习艺术教育现象的特殊性,允许在教学研究的主题中确定装饰和应用艺术的科学理论理解基础。在研究过程中,揭示了揭示了民间教学元素,特别是传统艺术和工艺品的杰出人物和文化的积极态度,即乌克兰国家教育,作家,哲学家着名的杰出人物的观点(Hryhorii Skovoroda,Oleksandr dukhnovych,Lesia Ukrainka,Ivan弗兰科,Anton Makarenko,Vasyl Sukhomlynskyi,Taras Shevchenko);乌克兰和俄罗斯老师乌克兰起源Konstiantyn Ushynskyi,他们首先介绍了“民间教育学”的概念来科学话语;俄罗斯苏联学者 - 老师,Chuvash民间教育学研究员,术语创始人“Ethno-Pedagogy”Hryhorii Volkov;西欧理论家 - 哲学家,科学家(I.Bazedov,B. Blache,H. Campe,H. Saltzman,D.Diderot,J.Comenius,J.Cocke,J.Ingke,J.Pestalozzi,J.-J. Rouseauzi ,我是Heusinger)。与此同时,文章分析了外国艺术理论家的作品,世界艺术和工艺统一的世界运动的宣传者(G. Semper,V.Morris,A.Riegl,J. Ruskin),其科学理论上的作品在19世纪初期,为提高了乌克兰艺术教育发展史上的装饰和应用艺术现状。该研究的研究结果追查了外国和国内科学家教学思想的成因的一般特征,就艺术和工艺领域的艺术教育发展为引进艺术和普通教育机构的装饰和应用艺术的基础在乌克兰。

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