"Art was never a consideration. I was merely having life changing surgery. I was completely detached from the reality of the situation, completely calm as I contemplated having holes drilled into my skull and wires inserted into my brain. So an artist wanted to watch my operation? Rather her than me." Ian Frizell's "unexpectedly cathartic" journey through deep brain stimulation (DBS) began with a "coldly clinical view" to the procedure, but through interpretation and representation by artist Martha Orbach, his viewpoint shifted. Now he finds himself emotionally responsive—"feeling a lump in my throat and tear in my eye"—to the "human experience", which is, or at least was, inaccessible to his conscious mind.
展开▼
机译：“艺术从来没有考虑过。我只是有生活改变的手术。我完全从现实中脱离了情况，完全平静，因为我预计钻入我的头骨和插入我的大脑中的电线。所以一位艺术家想看 我的手术？而不是她比我。“ Ian Frizell的“出乎意料的野生动物”旅程通过深脑刺激（DBS）开始于“冷酷的临床观”，但通过艺术家玛莎·奥巴赫的解释和代表，他的观点转移了。 现在，他在情绪上响应 - “在我的喉咙里感到肿块，在我的眼中” - “人类经历”，这是或至少是他有意识的思想无法进入。
展开▼
