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The Acoustics of Kabuki Theaters

机译:kabuki剧院的声学

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The study presents a room acoustical investigation of a representative sample of eight Kabuki theaters as the most important public performance venues of pre-modern Japan. Room acoustical parameters according to ISO 3382 were measured for the unoccupied and simulated for the occupied condition. In comparison with European proscenium stage theaters, they have lower room heights in the auditorium, with usually only one upper tier, and no high stage house for movable scenery. The lower volume per seat results in lower reverberation times, The wooden construction and the audience seating arrangement on wooden straw mats on the floor instead of upholstered seats leads to a mostly flat frequency response up to 4 kHz, resulting in an excellent speech intelligibility, as documented by values for definition (D-50) and the speech intelligibility index (STI). The acoustical conditions support the dynamic acting space created by pathways extending the stage from the front through the audience to the rear of the auditorium. They allow great contrasts in the perceived acoustical proximity depending on the selected acting position, and support a high degree of immersion of the audience into the dramatic action. (C) 2019 The Author(s). Published by S. Hirzel Verlag . EAA.
机译:该研究提出了一个房间声学调查,八个歌舞伎剧院的代表性调查是现代日本前最重要的公共表演场所。测量根据ISO 3382的房间声学参数,用于占用条件的未占用和模拟。与欧洲火疗阶段的剧院相比,观众席中的房间高度较低,通常只有一个上层,而且没有高级房屋可移动风景。每个座位的较低的卷导致较低的混响时间,木制建筑和在地板上的木秸秆垫上的观众座位布置而不是软垫座椅,导致大多数扁平的频率响应高达4 kHz,导致出色的言语可懂度,如由定义(D-50)和语音智能性索引(STI)的值记录。声学条件支持通过从前面穿过观众到礼堂的后部延伸阶段的通路产生的动态作用空间。它们允许在感知的声学接近度方面具有很大的对比,这取决于所选择的作用位置,并支持观众的高度浸入戏剧性作用。 (c)2019年作者。由S. Hirzel Verlag发布。 eaa。

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