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Ekaterina Rogatchevskaia and Susan Reed

机译:Ekaterina Rogatchevskaia和Susan Reed

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The idea of a special issue of Alexandria on exhibitions in libraries and archives seemed to us to be an obvious continuation of our work on the exhibition at the British Library Russian Revolution: Hope, Tragedy, Myths (April-August 2017). The exhibition that we curated together was part of the British Library's cultural and engagement programme, so it was a large-scale project that involved many specialists in the Library (exhibition team, interpretation officers, project managers, conservators, image studio specialists, press office, development office, social media team, loans registry, to name just a few) and externally (space and graphics designers, designers of digital products, builders, transportation companies, etc.). Our curatorial work was well supported by colleagues who were highly qualified in their areas of expertise. Moreover, this exhibition was not our first experience of exhibition curating. However, we still found our exhibition project challenging and after it had finished felt a desire to reflect on our experience1 and compare it to what was happening in other libraries.
机译:亚历山大特别问题关于图书馆和档案馆展览的特别问题似乎是我们在英国图书馆革命展览上的明显延续:希望,悲剧,神话(2017年4月至8月)。我们融合在一起的展览是英国图书馆的文化和参与计划的一部分,因此它是一个大型项目,涉及图书馆的许多专家(展览团队,口译官员,项目经理,保守者,图像演播室专家,新闻办公室,开发办公室,社交媒体团队,贷款注册表,只有几个)和外部(空间和图形设计师,数字产品的设计师,建设者,运输公司等)。我们的策展工作得到了高度合格的专业领域的同事。此外,本次展览不是我们的第一次展览策激经验。但是,我们仍然发现我们的展览项目挑战,并完成了愿意反思我们的经验1并将其与其他图书馆发生的事情进行比较。

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