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Artist statement. 'The Disaster Series'.

机译:艺术家声明。 “灾难系列”。

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摘要

I have been working as a professional visual artist for a number of years with themes related to the cultural connections between art and medical science. In the past, I have incorporated scientific glassware, medical textbooks, test tubes, and surgical instruments into wall installations, sculpture-based works, chandeliers, and light boxes. While working toward a PhD in art history, my research in Canadian and European medical archives brought me to study various 19th-century anatomical atlases. Over the years I have continued to be intrigued by the way the classical medical figure in these medical illustrations is represented as neither dead nor alive-seemingly hovering between life and death.
机译:我一直在努力成为一位专业的视觉艺术家,并与艺术和医学科学之间的文化联系有关。 在过去,我已将科学玻璃器皿,医疗教科书,试管,和手术器械纳入墙壁安装,基于雕塑的作品,枝形吊灯和灯箱。 在致力于艺术史上的博士学位,我在加拿大和欧洲医疗档案中的研究提出了我研究各种19世纪的解剖结构。 多年来,在这些医学插图中的古典医学形象的方式上,我继续感兴趣,既没有死亡,也没有活死生活和死亡似乎徘徊。

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