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Reconstruction of an early viola da gamba informed by physical modeling

机译:通过物理建模来重建早期的中提琴达格比巴

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摘要

The reconstruction of an early viola da gamba is considered, using virtual prototyping by means of the finite element method. Based on iconographic sources, previous research has postulated an instrument design lacking a soundpost and a bass bar. This led to the hypothesis of a top plate with variable thickness. In order to investigate the acoustic efficiency of such a design, a finite element model of the instrument is formulated. The structural accuracy of the model is qualitatively verified by comparing calculated modal shapes with those of a reconstructed instrument, visualized with the aid of Chladni patterns and electronic speckle pattern interferometry. Furthermore, simulating the interaction between the vibrating surfaces of the instrument and the surrounding air shows that the posited asymmetric design can radiate sound more efficiently than a design involving a symmetric top plate. However, the asymmetry introduced by the gradually thickening top plate is weaker than that usually enforced by the presence of a soundpost and a bass bar. Therefore, low frequency structural modes of the instrument are less easily excited by a force acting parallel to the top plate.
机译:通过有限元方法使用虚拟原型设计,考虑重建早期的Viola Da Gamba。基于ICONGAPCE来源,之前的研究假定了缺乏声柱和低音栏的仪器设计。这导致了具有可变厚度的顶板的假设。为了研究这种设计的声学效率,配制了仪器的有限元模型。通过将计算的模态形状与重建仪器的计算的计算的模态形状进行了定性验证的模型的结构精度,借助Chladni图案和电子散斑图案干涉测定法可视化。此外,模拟仪器和周围空气的振动表面之间的相互作用,示出了假设的不对称设计可以比涉及对称顶板的设计更有效地辐射声音。然而,由逐渐加厚的顶板引入的不对称性比通过出现声柱和低音杆的存在而较弱的不对称性。因此,仪器的低频结构模式不太容易地通过与顶板分开的力而激发。

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