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A Garden in Nassau: Winslow Homer

机译:拿骚的花园:温斯洛·荷马

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Born in a time when the history of his young country was still being written, realist painter Winslow Homer (1836-1910) was perhaps destined to impart the essential American character in his works. Homer's subjects would include sunlit countryside idylls and schoolchildren, Civil War scenes, swelling seas with an occasional marine misadventure, and northern woodlands. Much of America was still the primordial wilderness in which he reveled. Boston, the quintessence of American identity, was Homer's birthplace, and the family moved to Cambridge when he was a young child. As a boy, Homer was attracted to the out-of-doors, recording his rural excursions in drawings. The work of his mother, Henrietta, a watercolorist, served as a template for him with her realistic representations of birds and other subjects of nature. The independent spirit of his father Charles, who embarked on such sundry financial adventures as seeking gold in California, would be part of his son's individuality as person and painter. A lithograph firm was the setting for Homer's early work, but finding this too confining, he began freelancing as an illustrator for the burgeoning magazine trade including Harper's Weekly. In 1859, Homer moved to New York City, illustrating with a comic touch such social happenings as Skating on Ladies' Skating Pond in the Central Park, New York. Despite his success, life as an illustrator lacked the panache of a painter, and toward this end he enrolled in classes in New York's National Academy of Design. In private lessons as well he availed himself of instruction in painting. "Several factors at this time spurred Homer's interest in painting.
机译:现实主义画家温斯洛·霍默(Winslow Homer,1836-1910)出生于他年轻的国家仍在书写的时代,也许注定要在他的作品中传达美国的基本特征。荷马的题材包括阳光普照的乡村田园诗和学童,内战场面,偶尔有海洋灾难的海潮和北部林地。美国大部分地区仍然是他陶醉的原始荒野。波士顿是美国身份的典型代表,是荷马的出生地,全家在他小时候就搬到了剑桥。小时候,荷马被吸引到户外,在图纸上记录了他的乡村旅行。他母亲水彩画家亨利埃塔(Henrietta)的作品以他对鸟类和其他自然事物的真实表现为模板。父亲查尔斯(Charles)从事诸如在加利福尼亚州寻求黄金之类的各种金融冒险活动的独立精神,将成为儿子个人和画家个性的一部分。一家光刻公司是荷马早期工作的场所,但由于发现局限性,他开始自由发展,担任包括《哈珀周刊》在内的新兴杂志行业的插画家。 1859年,荷马搬到纽约市,以幽默的笑容举例说明了社交活动,例如在纽约中央公园的女子溜冰场上滑冰。尽管他取得了成功,但作为插图画家的生活却缺乏画家的精湛技艺,为此,他报名参加了纽约国家设计学院的课程。在私人课程中,他也运用绘画指导。 “目前有几个因素激发了荷马对绘画的兴趣。

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