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The cover. Still life with lemon tree.

机译:封面。静物与柠檬树。

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摘要

While he was in Paris, studying at the Academie Julian, he had the opportunity to see the work of the French painter Paul Cezanne, whose influence can be seen in Kroll's Still Life With Lemon Tree (cover). This painting has stylistic similarities to Cezanne's Still Life With Apples (JAMA cover, August 27, 2003), which was painted in 1893-1894. Both compositions consist of a bottle, some pots, and a dish of fruit, objects that were deliberately chosen by the painters to emphasize the geometry of natural forms. In Cezanne's painting, the neck of the bottle has the shape of a cone, the pots are cylinders, and the apples are spheres. Kroll's painting also contains cones (the points of the lemons and pears), cylinders (the vase, pot, and bananas), and spheres (the apples and the orange). Both paintings rely on more than one source of illumination to model the contours of the objects; in the Kroll painting, for example, there are highlights on the front of the chipped blue vase and also behind it on the table.
机译:当他在巴黎朱利安学院学习时,他有机会看到了法国画家保罗·塞尚的作品,他的影响力可以在克罗尔的《柠檬树静物》(封面)中看到。这幅画与塞尚的《苹果静物画》(JAMA封面,2003年8月27日)在风格上相似,后者于1893-1894年间绘画。两种成分均由一个瓶子,一些盆和一个水果盘组成,画家故意选择这些对象以强调自然形式的几何形状。在塞尚的画中,瓶子的脖子呈圆锥形,盆是圆柱体,苹果是球体。 Kroll的绘画还包含圆锥体(柠檬和梨的尖端),圆柱体(花瓶,锅和香蕉)和球体(苹果和橙子)。这两幅画都依靠一种以上的光源来模拟物体的轮廓。例如,在克罗尔(Kroll)绘画中,切碎的蓝色花瓶的前面和桌子的后面都有亮点。

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