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Effects of Tactile Sensations during Finger Painting on Mindfulness, Emotions, and Scope of Attention

机译:手指绘画过程中的触觉对正念,情绪和注意力范围的影响

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Research has shown that creative performance, such as painting, influences affective and cognitive processes. Yet little is known about how tactile sensations experienced during painting determine what individuals feel and how they think while they create. Based on prior research, finger painting (compared to brush painting) was expected to generate more tactile sensations, enhance state mindfulness, and broaden the scope of attention. An effect of painting on emotional processing was also expected. Volunteers (N=54) were randomly assigned to finger painting or brush painting sessions. The global-local test was used to measure scope of attention. Participants reported state mindfulness with a cued-recall rating dial method. Automated facial expression analysis provided a continuous index of emotions. In support of the hypotheses, finger painting was related to more tactile sensations, more state mindfulness, and a broader attentional focus. These results suggest that assigning finger painting to individuals is a viable method for improving state mindfulness and enhancing scope of attention. The effects for affective processes, however, are mixed.
机译:研究表明,绘画等创造性表现会影响情感和认知过程。关于绘画过程中的触感如何确定个人的感受以及他们在创作时的想法知之甚少。根据先前的研究,手指画法(与笔刷画法相比)有望产生更多的触感,增强国家的正念性,并扩大注意力范围。绘画对情绪加工的影响也是可以预期的。志愿者(N = 54)被随机分配到手指画或画笔画课中。全球局部测试用于衡量关注范围。参与者报告了使用提示召回等级拨号方法的状态正念。自动化的面部表情分析提供了连续的情绪指标。为了支持这一假设,手指绘画与更多的触觉,更多的国家正念以及更广泛的注意力集中有关。这些结果表明,将手指绘画分配给个人是提高状态正念度和扩大注意力范围的可行方法。但是,情感过程的效果是混杂的。

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