The present article considers the debate between Darwinian and non-Darwinian accounts of creativity from the perspective of little-c (or everyday) creativity. Specifically, the basic arguments found in both positions are highlighted by juxtaposing Simonton's (this issue) empirical analysis of Picasso's Guernica sketches with Weisberg's and Hass's (this issue) analysis. Unresolved issues in this debate are identified and discussed. The body of the article is focused on developing an argument for how these lingering issues might be addressed by expanding empirical studies of Big C (eminent) creative processes to include little c (or everyday) levels of creative magnitude.
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