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Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping

机译:Vincent van Gogh使用基于同步辐射的X射线荧光元素映射可视化丢失的画作

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Vincent van Gogh (1853-1890), one of the founding fathers of modern painting, is best known for his vivid colors, his vibrant painting style, and his short but highly productive career. His productivity is even higher than generally realized, as many of his known paintings cover a previous composition. This is thought to be the case in one-third of his early period paintings. Van Gogh would often reuse the canvas of an abandoned painting and paint a new or modified composition on top. These hidden paintings offer a unique and intimate insight into the genesis of his works. Yet, current museum-based imaging tools are unable to properly visualize many of these hidden images. We present the first-time use of synchrotron radiation based X-ray fluorescence mapping, applied to visualize a woman's head hidden under the work Patch of Grass by Van Gogh. We recorded decimeter-scale, X-ray fluorescence intensity maps, reflecting the distribution of specific elements in the paint layers. In doing so we succeeded in visualizing the hidden face with unprecedented detail. In particular, the distribution of Hg and Sb in the red and light tones, respectively, enabled an approximate color reconstruction of the flesh tones. This reconstruction proved to be the missing link for the comparison of the hidden face with Van Gogh's known paintings. Our approach literally opens up new vistas in the nondestructive study of hidden paint layers, which applies to the oeuvre of Van Gogh in particular and to old master paintings in general.
机译:文森特·凡·高(Vincent Van Gogh,1853-1890年)是现代绘画的奠基人之一,以其鲜艳的色彩,鲜明的绘画风格以及短暂但高产的职业而闻名。他的生产力甚至比一般人想象的要高,因为他的许多已知绘画都涵盖了以前的构图。人们认为这是他早期绘画的三分之一。梵高经常会重复使用一幅废弃绘画的画布,并在其上面绘画新的或经过修改的构图。这些隐藏的绘画为他的作品的起源提供了独特而亲密的见解。但是,当前基于博物馆的成像工具无法正确可视化许多这些隐藏的图像。我们介绍了基于同步辐射的X射线荧光映射的首次使用,该技术用于可视化隐藏在凡高的作品《草丛》下的女性头部。我们记录了分米标度的X射线荧光强度图,反映了涂料层中特定元素的分布。这样做,我们成功地以前所未有的细节可视化了隐藏的面孔。尤其是,Hg和Sb分别在红色和浅色调中的分布使得能够对肤色进行近似的颜色重建。事实证明,这种重建是将隐藏的面孔与梵高的著名画作进行比较的缺失环节。我们的方法从字面上揭示了在隐藏涂料层的无损研究中的新视野,这尤其适用于梵高的作品,并且通常适用于旧大师的绘画。

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