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Late Antique Literary Motifs in Yezidi Oral Tradition:The Yezidi Myth of Adam

机译:耶兹迪口述传统中的晚期古董文学图案:亚当的耶兹迪神话

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Oral traditions undergo constant change and evolution. Some elements, perhaps seen asobsolete, can be discarded while new ones are introduced. These new elements may have anumber of sources, but can often be traced back to traditions of other religious groups. "Oraltraditions collected from all over the world show a great freedom of borrowing between cul-tures." I Such borrowings may occur between two oral cultures, but many motifs found in oraltradition have their origins in written literature. Literacy influences oral tradition in manyways, including plot, characters, and other motifs.2 Of course, such borrowings are not "ser-vile imitation." The borrowed elements take on a life of their own in their new surroundings,even while their literary origins have been long forgotten. Not only may so-called folk talesand secular oral works borrow from written texts but so does religious oral tradition. Re-ligions based exclusively on oral tradition may borrow elements, or even whole myths,either directly or indirectly (that is, through a number of intermediaries that may them-selves have been oral) from religious literature. An eloquent, and hitherto ignored, exampleof literary traditions from one religion surfacing in the oral traditions of another religionmay be found in the mythology of the YeziThs, in particular in the myth surrounding thecreation of Adam.
机译:口头传统不断变化和演变。在引入新元素时,某些元素(可能已过时)可以被丢弃。这些新元素可能有许多来源,但通常可以追溯到其他宗教团体的传统。 “从世界各地收集的Oraltradiations显示了在不同文化之间借用的极大自由。”这种借用可能发生在两种口头文化之间,但是在oraltradition中发现的许多图案都起源于书面文献。读写能力在许多方面影响口头传统,包括情节,人物和其他主题。2当然,这种借用不是“卑鄙的模仿”。借来的元素在新的环境中仍过着自己的生活,即使其文学渊源早已被人们遗忘。所谓的民间故事和世俗的口头作品不仅可以借用书面文字,而且宗教的口头传统也可以借用。完全基于口头传统的宗教可以直接或间接(即通过许多他们本来是口头的中间人)借用宗教文学的元素,甚至是整个神话。在YeziThs的神话中,特别是在围绕Adam创造的神话中,可以发现一种雄辩而迄今被忽视的,来自一种宗教的文学传统实例,而该文学传统又浮现于另一种宗教的口头传统之中。

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