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Grip pattern and finger coordination differences between pianists and non-pianists

机译:钢琴演奏者与非钢琴演奏者的握力模式和手指协调差异

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摘要

The aim of this study was to assess differences of grip pattern and finger coordination in pianists and non-pianists, using hand tasks that were unrelated to pianistic practice. Eleven pianists with more than 10. years of intensive practice were compared to 14 non-pianists. Both groups performed four tasks with their right hand: (1) gross grip at fast velocity; (2) gross grip at slow velocity; (3) hook grip at fast velocity; and (4) hook grip at slow velocity. The three-dimensional coordinates were reconstructed using a kinematic analysis system, and the flexion and extension angles of the metacarpophalangeal joints were calculated. The phase diagrams were qualitatively and quantitatively appraised in order to identify differences between the groups. Principal component analysis was used to assess differences between pianists and non-pianists in terms of the reproducibility and regularity of palmar grip cycles. Coefficients of correlation between the joint angles were used to analyze finger coordination during the tasks. The pianists showed better reproducibility and regularity in the palmar grip pattern, as well as finger movements that were more coordinated when performing different hand tasks.
机译:这项研究的目的是使用与钢琴练习无关的手部作业来评估钢琴演奏者和非钢琴演奏者的握持方式和手指协调度的差异。将11位具有10年以上丰富实践经验的钢琴家与14位非钢琴家进行比较。两组均用右手执行了四项任务:(1)快速抓地力; (2)低速时的总抓地力; (3)快速抓钩; (4)慢速抓钩。使用运动学分析系统重建三维坐标,并计算掌指关节的屈曲和伸展角度。为了确定各组之间的差异,对相图进行了定性和定量评估。主成分分析用于评估钢琴手和非钢琴手之间在手掌握力周期的可重复性和规律性方面的差异。关节角度之间的相关系数用于分析任务期间的手指协调。钢琴演奏者在手掌抓握模式上表现出更好的可重复性和规律性,并且在执行不同的手部任务时,手指的运动更加协调。

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