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Unspoken Knowledge: Implicit Learning of Structured Human Dance Movement

机译:不言而喻的知识:结构化人类舞蹈运动的内隐学习

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The sequencing of dance movements may be thought of as a grammar. We investigate implicit learning of regularities that govern sequences of unfamiliar, discrete dance movements. It was hypothesized that observers without prior experience with contemporary dance would be able to learn regularities that underpin structured human movement. Thirty-one adults were assigned to either an exposure or a control group. Exposure consisted of 22 grammatical 3-, 4-, and 5-movement sequences presented twice in random order; sequence duration ranged from 9 to 19 s. In a test phase, exposure and control groups identified previously unseen sequences as grammatical or ungrammatical, and rated confidence of judgment. The exposure group selected significantly more new grammatical sequences in the test phase than the control group. In addition, for the exposure group, the zero correlation criterion, wherein no relation between confidence and accuracy indicates unconscious knowledge, was satisfied. Through exposure, novice observers can learn a grammar that governs the sequencing of dance movements. This has implications for implicit learning of long sequences, working memory, and the development of expectations through exposure to contemporary dance.
机译:舞蹈动作的顺序可以被认为是一种语法。我们调查了规律性的隐式学习,这些规律控制着陌生的,离散的舞蹈动作的序列。假设没有先验现代舞经验的观察者将能够学习支撑结构性人类运动的规律性。将31名成人分为暴露组或对照组。曝光由22个语法的3、4和5动作序列组成,它们以随机顺序出现两次。序列持续时间为9到19 s。在测试阶段,接触和对照组将以前看不见的序列识别为语法或非语法,并确定了判断的置信度。暴露组在测试阶段选择的新语法顺序明显多于对照组。另外,对于暴露组,满足零相关标准,其中置信度和准确度之间没有关系表示潜意识。通过接触,新手观察者可以学习控制舞蹈动作顺序的语法。这暗示着对长序列,工作记忆的隐性学习以及通过接触现代舞而产生期望的发展。

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