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ANATOMY; PHYSIOLOGY FROM A BUDDHIST PERSPECTIVEThe kinesthetic Buddha, human form and function-Part 1: Breathing Torso

机译:解剖学;佛教徒的生理学动觉佛像,人类形态和功能-第1部分:呼吸躯干

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摘要

Buddhist statues may provide kinesthetic lessons relating the human body's actions and the spiritual life. This two-part paper presents a descriptive analysis of a statue of a meditating Buddha sitting in lotus pose. The statue, from the ancient Javanese monument, Borobudur, is correlated with lyengar yoga and therapeutic soft-tissue manipulation. In addition, discussion is presented of the statue as a history of Hindu pranayama and Buddhist meditation practices. The three-dimensional modeling of the Buddha's torso is evaluated from the perspective of anatomy and the movement arts. A resulting somatic vocabulary presents Asian art without emphasizing textual discourse and analysis of esthetic motifs so that the art presents a kinesthetic lesson on the ideal connection between the human body's actions and the spiritual life. Central to this paper is the presumption that sculpture depicts the kinesthetics of breathing but must be carefully teased apart from historical anachronism.
机译:佛教雕像可以提供有关人体行为和精神生活的运动学课程。这份由两部分组成的论文对坐在莲花姿势下的沉思佛像进行了描述性分析。该雕像来自爪哇古老的婆罗浮屠纪念碑,与lyengar瑜伽和治疗性软组织疗法相关。此外,还讨论了该雕像作为印度普拉纳山的历史和佛教冥想的做法。从解剖学和动作艺术的角度对佛陀躯干的三维建模进行了评估。由此产生的躯体词汇在不强调文本论述和美学主题分析的情况下呈现了亚洲艺术,因此该艺术以人体行为与精神生活之间的理想联系为基础提供了运动学课程。本文的主要假设是雕塑描绘了呼吸的运动学,但除了历史上的过时之外,还必须小心地取笑。

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