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Miniatures and Animism: The Communicative Role of Inka Carved Stone Conopa

机译:缩影与万物有灵:印加石刻Conopa的传播作用

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摘要

Andean offerings use miniaturization and synecdoche to enact connections within a relational animism (where people, places, and things participate in an interactive network), allowing the person preparing the offering to make material links between them and more distant, nonhuman entities. Catholic priests working in the Andes during the Spanish colonial period tried to eradicate these practices in which small objects called conopa were used. Conopa included unmodified stones and carved stone figurines, which were understood to be active agents that helped those who were preparing offerings to communicate with animate locales in the landscape. An analysis of Inka and colonial period stone conopa carved in the form of camelids reveals that some of them were produced in an organized system of manufacture under the auspices of the Inka state. This contributes to a discussion of how Andean household rituals have adapted in response to distinct social, economic, and political contexts.
机译:安第斯的产品使用小型化和联合来在关系万物有灵论(人,地方和事物参与交互式网络)中建立联系,从而使准备产品的人能够在产品和更遥远的非人类实体之间建立物质联系。在西班牙殖民时期在安第斯山脉工作的天主教神父试图铲除这些习俗,即使用称为conopa的小物件。 Conopa包括未经修饰的石头和雕刻的石俑,它们被认为是活跃的媒介,可以帮助准备与自然环境中的有生命的人进行交流的产品。对以骆驼科动物形式雕刻的印加和殖民时期的石制conopa进行的分析表明,其中一些是在印加州的主持下以有组织的生产系统生产的。这有助于讨论安第斯家庭的习惯如何适应不同的社会,经济和政治环境。

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