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Denise Smith's Large Vessels

机译:丹妮丝·史密斯的大型船只

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Denise Smith makes 20- to 30-lb. vessels with complex negative and positive images, and 3" porcelain pendants with intricate designs and multiple colored slips. This first column is about her techniques for making big pots. Smith's layered colored slip pendants will be covered next issue. Denise Smith: I'm the only so-called artist in my family that I've been able to locate. I don't think my parents or relatives knew what to make of my interest in art, especially when it went from realistic to abstract. I was pretty much isolated. My dad would have been happy if I'd painted a picture of a horse on his garage door. But my interest didn't lie in that direction. Smith: From my earliest childhood, I have always done some kind of drawing. In high school, in Dearborn, we had a brand new school and an experimental program of three days of English, one day of art, and one day of music. A whole world opened up through clay, so I went to art school at the Society of Arts and Crafts in Detroit. It is now called the Center for Creative Studies.
机译:丹妮丝·史密斯(Denise Smith)的体重为20至30磅。带有复杂负片和正片图像的容器,以及带有复杂设计和多个彩色滑条的3英寸瓷吊坠。第一栏是有关她制作大花盆的技术。下期将介绍Smith的分层彩色滑垂式吊坠。Denise Smith:我是我是我家族中唯一能够找到的所谓艺术家,我不认为我的父母或亲戚知道我对艺术的兴趣是什么,尤其是当它从现实变为抽象时。史密斯:从小我就一直画画,我父亲会很高兴,如果我在他的车库门上画一匹马的照片,但我的兴趣并没有朝那个方向发展。在迪尔伯恩(Dearborn)的一所中学,我们有一所崭新的学校,并进行了为期三天的英语,一天的艺术和一天的音乐的实验计划,整个世界都通过黏土打开了,所以我去了底特律工艺美术学会,现称为Cr中心实证研究。

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