Nineteenth-century Views of Sorrento from Capodimonte

Giovanni Fanelli

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Nineteenth-century Views of Sorrento from Capodimonte

机译：卡波迪蒙特的索伦托十九世纪观

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From the dawn of photography there was an awareness that the new medium went beyond mechanical recording. The series of images of Sorrento from Capodimonte confirms the strong connection between the formal research carried on by Robert Rive and Giorgio Sommer. Rive was probably the first to combine negatives to make views. Concerning Sommer, it was found that there exist several versions in different formats of the Sorrento views, obtained by different negatives carrying the images of foreground rocks and of the background.

机译：从摄影的曙光开始，人们就意识到新媒体已经超越了机械记录。卡波迪蒙特的索伦托影像系列证实了罗伯特·里夫（Robert Rive）和乔治·索默（Giorgio Sommer）进行的正式研究之间的紧密联系。 Rive可能是第一个结合底片来发表观点的人。关于Sommer，发现存在以不同格式的Sorrento视图存在的多个版本，这些版本是由带有前景岩石和背景图像的不同底片获得的。

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《History of Photography》 |2011年第3期|共19页
作者
Giovanni Fanelli;
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正文语种 eng
中图分类摄影技术;
关键词
Sorrento; Giorgio Sommer (1834-1914); Robert Rive (?-after 1895);

机译：索伦托;乔治·索默（Giorgio Sommer（1834-1914）;罗伯特·里夫（Robert Rive）（？-1895年后）;

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Nineteenth-century Views of Sorrento from Capodimonte

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