首页> 外文期刊>Western Journal of Communication >Depoliticizing Feminism: Frontier Mythology and Sarah Palin's 'The Rise of The Mama Grizzlies'
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Depoliticizing Feminism: Frontier Mythology and Sarah Palin's 'The Rise of The Mama Grizzlies'

机译:女权主义非政治化:边疆神话和莎拉·佩林的《妈妈灰熊的崛起》

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This essay analyzes a chapter from Sarah Palin's best-selling book America by Heart: Reflections on Family, Faith, and Flag. We argue that Sarah Palin draws upon the mythology of the American frontier in "The Rise of the Mama Grizzlies" in order to legitimate a conservative feminism. Our analysis demonstrates how Palin appropriates the history of the women's rights movement and the symbols and language of feminism to position her audience of contemporary conservative women as the rightful heirs of a distinctly American frontier feminism. Ultimately, we expose Palin's narrative of frontier feminism as a pseudo feminist rhetoric that functions to bolster conservative and masculinist logics while undermining core tenets of feminism. While very few rhetorical studies examine women speaking frontier rhetoric, our analysis helps to fill this void by demonstrating how Sarah Palin reinterprets the frontier myth to insert conservative women at its center and by exploring the consequences of framing feminism through a masculinist myth. Our essay also extends the effort to understand the rhetorical appeal and presentation of post-feminism. Importantly, we argue that the myth of the American frontier operates as a post-feminist script to define the mama grizzly as an exclusionary construct and to depoliticize the very core of Palin's frontier feminism. Our essay lends insight into the growing trend of appropriation by conservative women of feminist rhetoric and considers the consequences of such appropriation.
机译:本文分析了莎拉·佩林(Sarah Palin)畅销书《美国的心灵:对家庭,信仰和旗帜的思考》中的一章。我们认为,莎拉·佩林(Sarah Palin)借鉴了《妈妈灰熊的崛起》中美国边境的神话,以使保守的女权主义合法化。我们的分析表明,佩林如何借鉴妇女权利运动的历史以及女权主义的象征和语言,将当代保守派女性的听众定位为明显的美国前沿女权主义的继承人。最终,我们将佩林的前沿女权主义叙述作为一种伪造的女权主义修辞,揭露了在削弱女权主义核心宗旨的同时,支持了保守主义和男性主义的逻辑。尽管很少有修辞学研究研究说方言修辞的妇女,但我们的分析通过证明莎拉·佩林如何重新诠释边疆神话以将保守派女性置于其中心以及通过以男性主义神话为背景的女权主义构想的结果,来填补这一空白。我们的文章还扩展了对后女权主义的修辞魅力和表现方式的理解。重要的是,我们认为,美国边界的神话是作为后女权主义的手稿,将灰熊妈妈定义为排他性的构架,并使佩林的边界女权主义的核心非政治化。我们的文章深入探讨了保守派女性对女权主义言论的挪用趋势,并考虑了这种挪用行为的后果。

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