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Surface art: 2000BC to AD2000-an ongoing perspective

机译:表面艺术:公元前2000年到公元2000年-一个持续的观点

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Some 4000 years ago and perhaps a bit earlier, somewhere in the Eastern Mediterranean there were a few skilled artisans, who worked with metals, ceramics, and glass. These artisans were able to perform 'transformations' on their materials. Their names are lost forever. All we know, from fragments of circumstantial evidence, is that after major disturbances in the 20th century BC, there were great improvements in technology and traces of 'Levantine' workmanship throughout the area and particularly in Egypt have been found. Apparently, some of the specialists were brought to Egypt and continued their work and experiments in the workshops attached to the temple of the god Ptah. In these secluded laboratories, directly controlled by the pharaoh and the high priests, nobody was allowed to rite down the recipes or to discuss them with anybody. Transgressors were punished with death. This handful of specialised artisans was the first nucleus of the later alchemistic school of Alexandria in Egypt. Without them no modern chemistry would exist.Surface treatments of silver and copper based alloys were an integral part of their transformation experiments. The imitation of precious stones, for example by treating rock crystal with copper salts to 'make' emeralds, and the sophistication of purple, the precious dye from the murex shell, were also the subject of research during Roman times. And did you also know that apparently the Romans had already produced unbreakable glass? Regrettably we do not know (yet?) how they produced it other than speculating that they might have actually induced some form of superplasticity in these materials.
机译:大约在4000年前,也许是更早,在地中海的某个地方,有一些熟练的工匠,他们从事金属,陶瓷和玻璃的工作。这些工匠能够对他们的材料进行“改造”。他们的名字永远消失了。从环境证据的片段中,我们所知道的是,在公元前20世纪发生重大动乱之后,技术得到了极大的改善,并且在整个地区,特别是在埃及,发现了“黎凡特”做工的痕迹。显然,一些专家被带到埃及,并在Ptah神庙附属的工作室中继续他们的工作和实验。在这些由法老和大祭司直接控制的僻静实验室中,没有人被允许抄写食谱或与任何人讨论。犯罪者被处以死刑。这少数专业技工是后来的埃及亚历山大亚历山大炼金术学校的第一个核心。没有它们,就不会有现代化学。银和铜基合金的表面处理是其相变实验的组成部分。模仿宝石,例如通过用铜盐处理岩石晶体以“制造”祖母绿,以及紫红色(紫杉醇壳中的珍贵染料)的复杂性,也是罗马时代的研究对象。您还知道罗马人显然已经生产出坚不可摧的玻璃吗?令人遗憾的是,除了推测它们实际上可能在这些材料中引起某种形式的超塑性外,我们不知道(至今?)它们是如何产生的。

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