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Die simboliseringsproses by D.J. Opperman

机译:D.J.的符号化过程歌剧人

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Opperman's poetry is firmly rooted in reality. This theme is explored in the first part of the paper, showing that while the poet is committed to visual and historical facts together with data of experience, he is, as a poet constantly attempting in various ways to discover universal values in a visual reality which may be of transient importance. After drawing a distinction between the particular French school of symbolism (Simbolisme) of the last quarter of the 19th century and the more general idea of symbolism (simboliek) where objects and facts are invested with symbolic meaning, the second part of the paper is devoted to the various methods and techniques employed by the poet to “release the angel from the rock”, whereas the third part of the paper concentrates on various poems illustrating these methods while tracing the symbolic process.
机译:欧珀曼的诗歌扎根于现实。在本文的第一部分中探讨了这个主题,表明尽管诗人致力于视觉和历史事实以及经验数据,但作为诗人,他一直以各种方式试图在视觉现实中发现普遍价值,可能具有短暂的重要性。在区分了19世纪后半叶的特殊法国象征主义流派(Simbolisme)和更广义的象征主义思想(simboliek)(其中物体和事实被赋予象征意义)之后,本文的第二部分诗人“从岩石中释放天使”所采用的各种方法和技术,而本文的第三部分则集中在各种诗歌中,这些诗在描绘象征性过程的同时阐释了这些方法。

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