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PRODUCING URBAN VITALITY: THE CASE OF DANCE IN SAN FRANCISCO

机译:生产城市生命力:旧金山舞蹈的案例

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At the turn of the millennium, professionals and wealthy suburbanites moved into the inner city-a transition that led to an influx of profit-driven urban development. In the case of San Francisco, I argue that one central factor triggering this development process has been the increasing urban vitality of the inner city: diverse populations engaged in multiple economic, social, and political activities enacting lively streets of strong character. This wide range of urban actors has produced a variety of goods and services through the broadening and strengthening of their social networks, resulting in the construction of unique places. Thus it is at the intersection of these diverse activities, multiple networks, and unique places that the inner-city neighborhoods produce major urban vitality. This study focuses on the work of two dance troupes in San Francisco, Flyaway Productions and De Rompe y Raja, as producer of urban vitality and as a window of observation for a broader development process.
机译:在千年之交,专业人士和富裕的郊区居民进入了内城,这一转变导致了以利润为导向的城市发展的涌入。以旧金山为例,我认为引发这一发展过程的一个主要因素是内城区的城市活力日益增强:各种人口从事多种经济,社会和政治活动,形成了活泼,个性鲜明的街道。广泛的城市参与者通过扩大和加强其社交网络产生了各种各样的商品和服务,从而建立了独特的场所。因此,正是在这些多样化的活动,多个网络和独特的地方的交汇处,内城区才产生了重要的城市活力。这项研究的重点是旧金山的两个舞蹈团Flyaway Productions和De Rompe y Raja的工作,它们是城市活力的产生者,也是更广泛的发展过程的观察之窗。

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