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It's music to IP ears

机译:IP耳听音乐

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摘要

This year's Glastonbury festival saw more than 30 hours of coverage across a variety of BBC outlets. Alongside the live programming on the 'traditional' channels, the Corporation continued to build on its digital offering by providing streaming in HD for the first time. So, what were its considerations when it comes to the use of encoders and IP technology? "It's all about managing the IP network for broadcast," states BBC News location engineer, Geoff House, who along with Phil Cannon managed that side of the Glastonbury operation. "Packet loss, jitter and network outages have to be avoided at all costs. We worked hard to design and deliver a network with redundancy and flexibility which is capable of carrying audio and video streams 24 hours a day. We also had to deploy extensive onsite network monitoring to make sure any potential problems were caught before they affected output."
机译:今年的格拉斯顿伯里音乐节(Glastonbury Festival)在英国广播公司(BBC)的多家网点进行了超过30小时的报道。除了在“传统”频道上的直播节目外,该公司还通过首次提供高清流媒体,继续建立其数字产品。那么,在使用编码器和IP技术时,有哪些考虑因素呢? BBC新闻定位工程师Geoff House说:“这全是管理广播IP网络。他与Phil Cannon一起管理了Glastonbury业务的这一方面。 “必须不惜一切代价避免数据包丢失,抖动和网络中断。我们努力设计和交付具有冗余性和灵活性的网络,该网络能够一天24小时传输音频和视频流。我们还必须在现场部署大量设备网络监视,以确保在影响输出之前发现任何潜在问题。”

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    《TVB Europe》 |2015年第10期|20-22|共3页
  • 作者

    Philip Stevens;

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