Boy gets horse. Boy loses horse. Boy finds horse. This London import is childlike in the best sense: narratively clear, emotionally naked and entranced with the visual possibilities of theater. Director Diane Paulus' revival of the revered opera-which debuted in Cambridge, Mass., before a Broadway run-is respectful and is deftly staged and beautifully sung by a cast led by Audra McDonald. David Henry Hwang's play about a naive American businessman is rich with laughs, but it's also a probing and nuanced study of the Chinese-American divide.
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机译：男孩得到马。男孩输了马。男孩发现马。从最好的意义上来说，伦敦的这件进口作品是童趣般的：叙事清晰，情感上赤裸裸，并带有剧院的视觉可能性。导演戴安娜·保卢斯（Diane Paulus）令人尊敬的歌剧在百老汇（Broadway）演出之前在马萨诸塞州的剑桥首演，复兴的举动是受人尊敬的，并由奥德拉·麦当劳（Audra McDonald）领导的演员巧妙地上演并演唱。戴维·亨利·黄（David Henry Hwang）的故事讲述一个天真的美国商人，这充满了笑声，但这也是对华裔美国人鸿沟的一种探索和细微的研究。
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