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From Socialist Realism to Art in Socialism: The Reception of Modernism as an Instigating Force in the Development of Art in the GDR

机译:从社会主义现实主义到社会主义艺术:GDR中现代主义作为艺术发展的推动力的接受

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摘要

At the last Congress of the GDR's Artists' Association in 1988, the term 'Socialist Realism' was officially replaced by the phrase 'Art in Socialism'. The Congress's participants thus tried not only to do justice to the variety of art, but also to bid farewell to Socialist Realism as an aesthetic concept. But how were these two goals to be accomplished, without changes in the GDR's institutions and power structures? A solution was possible, because the generation of leftist artists, recruited after 1945 to hold office in the new system and build a new socialist art, had been educated or otherwise active in the 1920s. They wanted to re-appropriate the left's modernist traditions, assuming thereby a position opposed to official cultural policy, which required strict accommodation to the Soviet model. This conflict concerning the proper attitude to modern art became the central discourse for the development of art in the GDR.
机译:在1988年GDR艺术家协会的上届代表大会上,“社会主义现实主义”一词正式由“社会主义艺术”一词取代。因此,大会的参加者不仅试图公平对待各种艺术,而且还告别了作为美学概念的社会主义现实主义。但是,如何在不改变东德的机构和权力结构的情况下实现这两个目标呢?解决方案之所以可行,是因为在1945年之后招募的一代左派艺术家在新体系中任职并建立了一种新的社会主义艺术,这些人在1920年代受到了教育或积极参与。他们想重新适应左派的现代主义传统,从而假定反对官方文化政策的立场,这需要严格适应苏联模式。这种关于对现代艺术的正确态度的冲突成为了东德艺术发展的中心话题。

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