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VERBALIZING/VISUALIZING: THEATRICAL MASKS AND THE GREEK EPIGRAM

机译:语音化/可视化:戏剧面具和希腊诗集

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摘要

Within the larger category of epigrams referring to the theatre and the even widernfamily of epigrams focussing on literature and its practitioners, five epigrams turn tonthe mask: Asclepiades 27 Gow–Page = AP 6.308; Callimachus 26 G–P = AP 6.310nand 27 G–P = AP 6.311; and Dioscurides 22 G–P = AP 7.37 and 23 G–P = AP 7.707.nMarco Fantuzzi has recently discussed the ‘theatrical’ epigrams as a subset of ‘annentire Hellenistic vogue for epigrams on great literary figures of the past’.n1 This voguenwas certainly akin to ‘contemporary projects of literary classification’,n2 whichnstemmed from an impulse to celebrate, but more importantly to master, control andneventually assert oneself over the daunting achievements of the past.
机译:在涉及剧院的更大的Epigrams类别以及针对文学及其从业者的Epigrams家族中,有五个Epigrams变成了面具:Asclepiades 27 Gow-Page = AP 6.308;卡利马克斯26 G-P = AP 6.310n和27 G-P = AP 6.311;和Dioscurides 22 G-P = AP 7.37和23 G-P = AP7.707。nMarcoFantuzzi最近讨论了“戏剧性”的流行语,作为“过去伟大文学人物的流行词的古希腊化时尚”的子集。当然,这类似于“文学分类的当代项目”,n2是出于冲动来庆祝,但更重要的是要掌握,控制并最终坚持过去的艰巨成就。

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  • 来源
    《The Classical Quarterly》 |2009年第2期|p.494-504|共11页
  • 作者

    ANTONIS K. PETRIDES;

  • 作者单位

    The Open University of Cyprus;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 14:00:02

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