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THE MOST EXHILARATING BAUHAUS SHOW YET'

机译:最令人兴奋的包豪斯秀

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Can the Bauhaus be news again? The exhibition which has just opened at the Barbican will show you that it certainly can. I had expected an opening party full of over-60s, but it was crowded by the under-40s. I belong to the first lot (more's the pity) and am a veteran of Bauhaus exhibitions - Stuttgart in 1968 and its reincarnation at the Royal Academy later that year, and MoMA in New York in 2010. This last - and much the biggest - started in the Martin Gropius Bau in Berlin, the old Arts and Crafts museum which stood close by the Berlin Wall and was called after its designer, the great-uncle of the Walter who founded the Bauhaus. The MoMA/Berlin show was huge and the most complete, yet the poorer Barbican one is the most exhilarating, in part because the designers, Carmody Groarke, have managed to make sense of it in the intractable exhibition space.
机译:包豪斯能否再次成为新闻?在巴比肯展览馆刚刚开幕的展览将向您展示它的确可以。我原本期望开幕式充满60多岁,但40岁以下的年轻人却拥挤不堪。我属于第一批作品(更可惜),并且是包豪斯展览的资深人士-1968年的斯图加特及其同年晚些时候在皇家艺术学院的转世,以及2010年在纽约的现代艺术博物馆。这是最后一个也是最大的展览-开始在柏林的马丁·格罗皮乌斯·鲍(Martin Gropius Bau),一座古老的手工艺品博物馆就坐落在柏林墙附近,并以其设计师鲍豪(Balhaus)的叔叔沃尔特的叔叔的名字命名。 MoMA /柏林展览规模宏大,最完整,但贫穷的巴比肯展览最令人振奋,部分原因是设计师Carmody Groarke设法在难以捉摸的展览空间中体会到了这一点。

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  • 来源
    《The architects' journal》 |2012年第17期|p.50-55|共6页
  • 作者

    Joseph Rykwert;

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  • 入库时间 2022-08-18 00:32:59

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