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Militant Modernist

机译:好战的现代主义者

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摘要

There's a degree of certainty and good taste in what the New York Review of Books' architectural critic Martin Filler (pictured right) does as a critic that doesn't entirely translate to the building culture of places outside of the five boroughs. However, what he has always been superb at is invective. I say this not to diminish - it's an, underrated and historically important virtue, too often overlooked in an art form which likes to pride itself on pragmatism and consensus. A book could be compiled solely from Filler diatribes - his surely accurate blasting of post-1989 Berlin as the missed opportunity of all missed opportunities, his dissection of the failings of celeb architects like Santiago Calatrava and Daniel Libeskind. Now that he's finally been slapped with a lawsuit from Zaha Hadid, we should insist on the necessity of such viciousness before it is legally silenced.
机译:纽约书评的建筑评论家马丁·菲尔(Martin Filler,右图)的评论家具有一定的确定性和良好品味,但它并不能完全转化为五个行政区以外地方的建筑文化。但是,他一向精湛的技术是不可告人的。我说这不会减少-这是一种被低估且在历史上很重要的美德,常常以一种喜欢以实用主义和共识为荣的艺术形式而被忽视。一本书完全可以从Filler的异想天开中搜集出来-他确实准确地爆破了1989年后的柏林,这是所有所有错失机会的错失机会,他剖析了圣地亚哥·卡拉特拉瓦(Santiago Calatrava)和丹尼尔·里伯斯金(Daniel Libeskind)等名人建筑师的失败。现在,他终于被Zaha Hadid的诉讼打了耳光,我们应该坚持这种恶毒的必要性,在法律上将其消灭之前。

著录项

  • 来源
    《The architects' journal》 |2014年第8期|26-26|共1页
  • 作者

    Owen Hatherley;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 00:32:01

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