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'Knitwear: Chanel to Westwood', Fashion and Textile Museum, London

机译:“针织品:从香奈儿到韦斯特伍德”,伦敦时装和纺织品博物馆

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摘要

This fascinating and instructive exhibition at the Fashion and Textile Museum presented highlights from an extensive private collection of knitwear, on show to the public for the first time. Over 150 pieces, collected by Cleo and Mark Butterfield, provided valuable insights for those interested in the history of knitting and its role in twentieth-century fashion. Cleo Butterfield's interest in knitting was sparked when, in the early 1960s, she used a 1930s pattern to knit a Fair Isle jumper. This jumper, alongside the pattern, opened the show, opposite some examples of functional Edwardian knitwear. In the next case was a c. 1918 suit attributed to Chanel, marking the point at which knitwear began to be used for fashionable outerwear. This transformation of material from utilitarian to chic was one of the stories of the exhibition, as too was the breadth of the range of knitwear, encompassing highly technical industrial fabric and the works of the domestic hand knitter.
机译:在时装和纺织品博物馆的这个有趣而有启发性的展览展示了来自大量私人针织品的亮点,首次向公众展示。 Cleo和Mark Butterfield收集了150多件作品,为那些对编织历史及其在20世纪时尚中的作用感兴趣的人提供了宝贵的见解。 1960年代初,克莱奥·巴特菲尔德(Cleo Butterfield)对针织的兴趣引起了她的兴趣,当时她使用1930年代的花纹编织了费尔岛毛衣。该套头衫与图案并排打开了秀,与功能性爱德华七世时代针织品的一些示例相对。接下来的情况是c。 1918年,香奈儿(Chanel)出品西服,标志着针织服装开始用于时尚外套的起点。材料从功利主义到别致的转变是展览的故事之一,针织品系列的广度也涵盖了其中,其中包括高科技工业用织物和家用手工编织器的作品。

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