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Satire, Elections, and Democratic Politics in Digital India

机译:数字印度的讽刺,选举和民主政治

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This article is concerned with understanding the role of satire as a crucial narrative and communicative form for thinking and caring about politics in contemporary India. In an era marked by the relentless corporate makeover of news media and a concomitant decline in public trust in journalism, satirical videos that took on Narendra Modi, Arvind Kejriwal, Rahul Gandhi, and other political figures during the 2014 election campaign season offered a strikingly different and immensely popular mode of engagement with the political. Moving past well-worn paradigms for understanding the relation between entertainment and politics, this article situates online satire within a vibrant field of everyday digital media production that marks contemporary Indian public culture. I show how satirical videos became part of an intricate, networked, yet comprehensible intertextual field that linked the 2014 elections to long-standing political issues and debates around caste, class, gender and sexuality, and religious nationalism.
机译:本文关注于理解讽刺作为当代印度思想和关怀政治的重要叙事和交流形式的作用。在一个以新闻媒体无休止的企业改头换面以​​及公众对新闻业的信任度随之下降为特征的时代,纳伦德拉·莫迪(Narendra Modi),阿文德·凯里沃(Arvind Kejriwal),拉胡尔·甘地(Rahul Gandhi)和其他政治人物在2014年竞选季节拍摄的讽刺视频提供了截然不同的以及与政治互动的极受欢迎的方式。本文超越了陈旧的范式来理解娱乐与政治之间的关系,将在线讽刺小说置于每天数字媒体制作的活跃领域中,这标志着印度当代的公共文化。我展示了讽刺视频如何成为复杂,网络化但可理解的互文领域的一部分,该领域将2014年选举与长期的政治问题以及围绕种姓,阶级,性别和性取向以及宗教民族主义的辩论联系在一起。

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