Satire is (un)dead: how comedy became a language of democratic politics

摘要

Like all forms of resistance, comedy can both shore up and legitimate existing political structures, yet it can also, in certain moments, work to encourage revision. Here, James Brassett looks specifically at the critical nature of radical British comedy by the likes of Russell Brand, Charlie Brooker, and Stewart Lee and writes that it raises questions about the nature of resistance and reveals the deeply political nature of the British public.