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'A walking Man from the far North' - art, craft and the emergence of consciousness: A speculative tale

机译:“来自北方的步行者”-艺术,手工艺和意识的出现:一个投机的故事

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How can cross-disciplinary speculative narratives give us insights and open new paths of research? Borrowing from a number of disciplines, from Anthropology to Psychology or Art history, I will draw a hypothetical blueprint of processes that possibly led to the creation of the Ainu people's patterns, an indigenous tribe from north Japan. From some particular key points I will narrate a speculative tale giving us possible insights about those specific patterns, as well as about the questions encapsulated in the split representation in the art of Asia and America, questions that were raised by various anthropologists, from Franz Boas to Claude Levi-Strauss. I will demonstrate that those pattern-making habits were inherent to human being as a species until very recently. What kind of unconscious purpose or meaning they could have had and what it could mean in terms of the evolution of consciousness.
机译:跨学科的投机叙事如何为我们提供见解并开辟新的研究道路?我将从人类学,心理学或艺术史等众多学科中汲取教训,我将画出一个假想的过程蓝图,这些过程可能导致创建阿伊努人的模式,这是日本北部的一个土著部落。从一些特定的关键点,我将叙述一个投机性的故事,为我们提供关于这些特定模式的可能见解,以及有关亚洲和美国艺术中分裂表示中所包含的问题的信息,以及由Franz Boas的各种人类学家提出的问题。克劳德·列维·斯特劳斯(Claude Levi-Strauss)。我将证明,直到最近,这些造模习惯还是人类作为一个物种固有的。他们可能具有什么样的潜意识目的或意义,以及意识演变的意义。

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