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The Arts and Crafts Movement in the North East of England: A Handbook The Arts and Crafts Movement in Yorkshire: A Handbook

机译:英格兰东北部的手工艺运动:手册约克郡的手工艺运动:手册

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Over the last twenty-five years I have become conditioned to approach with caution any book with the phrase 'Arts and Crafts' in its title. All too often it is used to evoke an undemanding image of aspects British architecture and the decorative arts between about 1880 and the Great War. There are even some quite respectable books and articles which unthinkingly use the phrase 'Arts and Crafts style' as though it meant anything - rather in the way that anything built between 1910 and 1950 with a squared-off profile and angular, stylised decoration is called Art Deco. Well, it doesn't mean anything. The Arts and Crafts Movement is the creative expression of a philosophy, of a way of thinking and being and, most importantly, making. It is not a style, but a loosely-defined set of principles; broadly anti-academic, rooted in practicality and the importance of expert craft-skills, respectful of local traditions and materials used idiomatically and in depth, expressive of location and function, idealistic and individualistic yet collaborative.
机译:在过去的25年中,我习惯于谨慎处理标题为“ Arts and Crafts”的任何书。它经常被用来唤起人们对1880年至第一次世界大战之间英国建筑和装饰艺术的不拘一格的印象。甚至还有一些颇受人尊敬的书籍和文章,都在不经意间使用了“手工艺品样式”一词,就好像它意味着任何东西一样,而是以一种在1910年至1950年之间建造的具有方形轮廓和有角度的,程式化的装饰的方式来称呼。艺术装饰。好吧,这没有任何意义。艺术和手工艺运动是一种哲学,一种思维方式和存在方式以及最重要的是创造力的创造性表达。它不是一种样式,而是一组松散定义的原则。广泛的反学术性,植根于实用性和专家工艺技能的重要性,尊重地方习俗和惯用和深入使用的材料,表达位置和功能,理想主义和个人主义但相互协作。

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