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Arts & Crafts MEETS Modernism

机译:工艺品满足现代主义

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摘要

The DNA of the Fine Homebuilding House (or "Good Haus" as we're calling it) is established by the steep and rocky hillside that spills down onto a small neighboring foothill meadow. The site's limited buildable footprint, seasonal drainage concerns, and an inviting flat outcrop of granite drove the initial design. My own DNA, though, informs the aesthetic. I am the child of craftspeople, and my rural upbringing is embedded in me like the red dirt of the Sierra Foothills. I like handmade things and local materials. I believe buildings need to connect and respond to the landscapes we build in. Yet I am drawn to the clean lines of modernism and the illusion of simplicity that relies on rigorous craft and thoughtful detailing. Designing and building our own house was an opportunity to explore finding the balance and harmony between the three intersecting areas of our work: the handmade (and maybe somewhat "imper-fect") house, modern architectural forms, and a commitment to high-performance building standards.
机译:精致房屋建筑房屋(或我们所说的“好房子”)的基因是由陡峭多岩石的山坡建立的,它散落到附近的一个小山麓草地上。该场地的可建造占地面积有限,季节性排水问题以及花岗岩的引人注目的平坦露头驱动了最初的设计。不过,我自己的DNA传达出美感。我是手工业者的孩子,而我的乡村养育就像是塞拉利昂山麓丘陵的红色泥土一样嵌入在我体内。我喜欢手工制作的东西和当地的材料。我认为建筑物需要连接并响应我们所建筑的景观。但是,我对现代主义的简洁线条和依赖严格工艺和周到细节的简单幻想感到着迷。设计和建造自己的房屋是探索在我们工作的三个交叉区域之间寻求平衡与和谐的机会:手工制作(也许有些“不完美”)房屋,现代建筑形式以及对高品质的承诺绩效建设标准。

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  • 来源
    《Fine Homebuilding》 |2019年第281期|72-79|共8页
  • 作者

    MELA BREEN;

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  • 正文语种 eng
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