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COMMON COVER DAVID HOCKNEY, A BIGGER PICTURE

机译:常见的封面大卫·霍克尼,更大的照片

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摘要

Woldgate Woods, 21, 23 & 29 November 2006, is a large-size picture (182 × 366 cm), painted on six canvases placed side by side. The subject of the picture is a rural landscape, a sparse and orderly expanse of woodland through which runs a road, its form barely recognizable under a blanket of fallen leaves and a trickle of puddles. The scene is characterized by a vivid autumnal light, presumably of the early morning, that casts long and slender shadows of the bare trees and brightens up the warm tones of reddish orange (the leaves on the ground and on the tops of some trees), the green of the wood, the pale blue of the sky. In the foreground the greenish trunk of a tree, painted with free and rapid brushstrokes, is cut off, as if by the frame of a photograph, inviting the viewer to immerse himself in the landscape, whose geometry is shaped entirely by the vegetation. The six canvases, painted contemporaneously en plain air but on which the painter worked one at a time, so that they present slight misalignments and discontinuities in the brushstrokes, creating the impression of an extended and multiple space.
机译:Woldgate Woods,2006年11月21日,23日和29日,是一幅大型画(182×366厘米),画在并排放置的六幅画布上。图片的主题是乡村风光,林地稀疏有序,林立的道路贯穿其中,在一片落叶和水trick的覆盖下几乎看不到它的形式。该场景的特征是大概秋天的清晨,秋天的光线明亮,投射出裸露的树木的长长而纤细的阴影,并使红橙色(地面和某些树的顶部的叶子)的温暖色调变亮,木头的绿色,天空的淡蓝色。在前景中,剪裁成绿色和绿色的树干,上面刻有自由和快速的笔触,仿佛被照片的框架所遮盖,邀请观众将自己沉浸在风景中,其几何形状完全由植被塑造。六幅油画同时在普通空气中绘画,但画家一次在其上工作,因此它们在笔触中呈现出轻微的错位和不连续性,给人留下扩大而又多重空间的印象。

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    《Lotus international》 |2013年第153期|6-7|共2页
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