首页> 外文学位 >'The Man with the Blue Guitar' and the problem of representation in the work of Picasso, Stevens, and Hockney (Pablo Picasso, France, Wallace Stevens, David Hockney).
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'The Man with the Blue Guitar' and the problem of representation in the work of Picasso, Stevens, and Hockney (Pablo Picasso, France, Wallace Stevens, David Hockney).

机译:“戴蓝色吉他的男人”以及毕加索,史蒂文斯和霍克尼的作品中的代表性问题(法国帕勃罗·毕加索,华莱士·史蒂文斯,大卫·霍克尼)。

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摘要

The problem of representation is that paradoxical state arising from one thing trying to be another. Though the representative object, the art object, fails to be what it can only represent, it succeeds in bringing itself into existence. This creates an eternal knot with a paradox at its core: the twin nature of a selfhood that is both dependent on and independent of the thing it tries to represent. It is the artistic paradox, the problem of representation that will not allow an art to rest in complete identification with its referent, or exclusively, with its own formal properties.; This problem is central to the work of Pablo Picasso, Wallace Stevens, and David Hockney. The common challenge of representation allows their works to correspond across the bounds of media. Stevens's poem "The Man with the Blue Guitar" is, in fact, a nexus for the work of the two painters. Picasso's paintings inspire Stevens. Both Picasso and Stevens inspire Hockney. He interprets the poem visually in a series of prints and paintings that approach the problem of representation yet again, with a fresh look toward the works of Picasso and Stevens.; This dissertation traces the intricate knot woven by these three artists around the central problem of representation in painting and poetry. (It is a knot that draws music and theater into itself as well.) Picasso moves from re-presentation of tradition to direct representation of the object in radical ways. Stevens's poem is an inquisition of the act of seeing itself, a fictional guitarist's musings on how the subject and object become fused in the act of representation. Hockney ties together the depiction of time as space for a fuller lifelikeness in art. This dissertation finds the work of all three artists bound together around the problem of representation. It is a problem that, rather than stifling artists with its difficulties, may inspire their creativity as Alexander's was inspired by the knot of Gordius.
机译:表示的问题是,矛盾的状态是由一件事试图成为另一件事而引起的。尽管具有代表性的对象(艺术对象)不能只是它只能代表的对象,但它成功地使自己得以存在。这就形成了一个永恒的结,其核心是一个悖论:一个自我的双重本质,它既依赖又独立于它试图代表的事物。是艺术上的悖论,即表现的问题,使艺术不能完全依赖其指称物,也不能完全依赖其本身的形式属性。这个问题对于Pablo Picasso,Wallace Stevens和David Hockney的工作至关重要。代表性的共同挑战是让他们的作品跨越媒体的界限。史蒂文斯的诗《戴蓝色吉他的男人》实际上是两位画家作品的联系。毕加索的画启发了史蒂文斯。毕加索和史蒂文斯都启发了霍克尼。他用一系列版画和绘画视觉化地解释了这首诗,这些版画和绘画再次处理了代表性的问题,使毕加索和史蒂文斯的作品焕然一新。本文围绕这三位艺术家围绕绘画和诗歌表现的中心问题编织的复杂结。 (这是一个吸引音乐和戏剧的结。)毕加索从传统的重新表达转向以激进的方式直接表达对象。史蒂文斯(Stevens)的诗是对自我观察行为的一种探究,这是一个虚构的吉他手对主体与客体在代表行为中如何融合的沉思。霍克尼将时间的描绘联系在一起,将时间描绘成空间,使艺术更加栩栩如生。本论文找到了三位艺术家的作品,围绕着代表性问题进行了捆绑。问题在于,亚历山大的灵感来自戈迪乌斯的结局,而不是扼杀艺术家的困境,而是激发他们的创造力。

著录项

  • 作者

    Hartnett, Richard.;

  • 作者单位

    University of South Carolina.;

  • 授予单位 University of South Carolina.;
  • 学科 Literature American.; Art History.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 361 p.
  • 总页数 361
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术史、艺术思想史;
  • 关键词

  • 入库时间 2022-08-17 11:44:20

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