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Literary reading in the context of media culture

机译:媒体文化背景下的文学阅读

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19801990 “” : Literary reading reached its peak in China in the 1980s. From the 1990s on, however, it underwent a slow decline which has gained speed in the new century. The new media have played an important role in the process of its decline. Their influence is mainly seen in the reshaping of the receiver's perceptual structure because of the change from text to image and in the lack of stimulus to reflection and thought because of the change from page to screen. At the same time, the new media have broken down the “solitary” state of reading and lessened the depth of the reception model. From the perspective of media culture, the decline of literary reading is a result of the serious damage inflicted upon print culture by visual culture. The new generation is already living in an environment of visual culture; they will inevitably drift away from literary reading. This will have an impact on both production and research in literature. The private memory, perceptual structure and even bodily habits of those who preserve literary reading and resist the new media are precisely those established by print culture. Therefore, behind the clash between preserving and forsaking literary reading lies a clash between different media cultures.
机译:19801990“”:文学阅读在1980年代在中国达到顶峰。但是,从1990年代开始,它经历了缓慢的下降,并在新世纪加速了发展。新媒体在其衰落过程中发挥了重要作用。它们的影响主要体现在由于文本到图像的变化而改变了接收者的感知结构,以及由于页面到屏幕的变化而缺乏激励,反思和思想的影响。同时,新媒体打破了阅读的“孤立”状态,并减少了接收模型的深度。从媒体文化的角度来看,文学阅读的下降是视觉文化对印刷文化造成的严重破坏的结果。新一代已经生活在视觉文化的环境中。他们将不可避免地偏离文学阅读。这将对文献的生产和研究都产生影响。那些保留文学阅读并抵制新媒体的人的私人记忆,感知结构乃至身体习惯正是印刷文化所建立的。因此,保存和放弃文学阅读之间的冲突背后,是不同媒体文化之间的冲突。

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