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Playing with fear: parkour and the mobility of emotion

机译:恐惧游戏:跑酷和情绪的流动性

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This article engages debates on emotional geography and non-representational theory by considering fear as a distinctly mobile engagement with our environment. Parkour, or freerunning, has exploded into public consciousness through commercial media representations and films. It is depicted as a spectacular urban sport that either can or cannot be done. Through ethnographic research with groups of parkour practitioners I consider what has been excluded from these representations: the emotions involved in trying, experimenting, and gradually learning to be in places differently. In parkour places are 'done' or mobilised in tentative, unsure, ungainly and unfinished ways which can be characterised by a kind of play with architecture. I argue that this play is contingent upon an array of fears, which, rather than being entirely negative, are an important way in which practitioners engage with place. Here fears can manifest differently, not only restricting mobility, but in some cases encouraging imaginative and playful forms of movement.
机译:本文通过将恐惧视为与我们的环境的明显移动联系,来进行有关情感地理和非代表性理论的辩论。跑酷或自由奔跑,已通过商业媒体代表和电影激增为公众意识。它被描述为一项可以完成或无法完成的壮观都市运动。通过与跑酷从业者群体的人种学研究,我认为这些表示法中排除了哪些东西:尝试,试验和逐步学习在不同地方所涉及的情绪。在跑酷场所以尝试性,不确定性,笨拙和未完成的方式“完成”或动员,其特征可以是对建筑的一种游玩。我认为,这种玩法取决于一系列恐惧,而不是完全消极,这是从业人员与场所互动的重要方式。在这里,恐惧可能以不同的方式表现出来,不仅限制了活动能力,而且在某些情况下还鼓励想象力和娱乐性的运动形式。

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