a??Thus play I in one person many peoplea??: The art and craft of doubling in the Boyd history cycle

Coen Heijes

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a??Thus play I in one person many peoplea??: The art and craft of doubling in the Boyd history cycle

机译：一个？因此我在一个人中玩很多人？：在博伊德历史周期中加倍的工艺

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In this article I discuss the principles and practice of doubling in the 2008 Royal Shakespeare Company history cycle directed by Michael Boyd. I first discuss the lack of systematic, scholarly attention to theatrical doubling in general and develop a new taxonomy of doubling, incorporating two main categories: a??practical doublinga?? and a??significant doublinga??. Practical doubling stems from economic necessity; significant doubling, consisting of six subcategories, is employed by directors and actors as a vehicle of meaning. I illustrate this taxonomy through a critical study of the Boyd-directed history plays, showing how the use of doubling in that cycle allowed for a multi-layered approach, which enhanced both coherence and ambiguity.View full textDownload full textKeywordsdoubling, history cycle, Boyd, Shakespeare, Royal Shakespeare Company, Henry IV , Henry V , Henry VI , Richard II , Richard III Related var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17450911003643100

机译：在本文中，我将讨论由迈克尔·博伊德（Michael Boyd）指导的2008年皇家莎士比亚公司历史周期中加倍的原则和做法。我首先讨论总体上对戏剧加倍缺乏系统的学术关注，并提出一种新的加倍分类法，其中包括两个主要类别：“实用加倍”。和“显着加倍”。实际的倍增源自经济上的必要性；导演和演员采用了由六个子类别组成的显着翻倍作为意义的工具。我通过对博伊德（Boyd）指导的历史剧进行批判性研究来说明这种分类法，展示了在该循环中使用加倍如何允许采用多层方法，从而增强了连贯性和歧义性。，莎士比亚，皇家莎士比亚公司，亨利四世，亨利五世，亨利六世，理查德二世，理查三世。相关的变量addadd_config facebook，stumbleupon，digg，google，more“，发布号：” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17450911003643100

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《Shakespeare》 |2010年第1期|52-73|共22页
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a??Thus play I in one person many peoplea??: The art and craft of doubling in the Boyd history cycle

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