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Queen Elizabeth Hall

机译:伊丽莎白女王大厅

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The Southbank Centre has recently received grants from both the Arts Council and the Heritage Lottery Fund for the repair and maintenance of the Queen Elizabeth Hall and the Hayward Gallery. The project includes the refurbishment of the hall's foyer, seen here in a photograph taken around the time of the building's official opening in March 1967. A year later Peter Moro of the design team gave a public appraisal of the QEH - published by the RIBA Journal that June - in which he described the foyer as 'the most interesting and successful part of the building'. He also praised the rings of leather seating, which seemed to float on the marble floor thanks to their transparent plastic supports. Moro believed that consistency in detailing and restraint in the number of materials used gave the foyer a general impression of calm, despite its irregular shape and the 'rather violently modelled ceiling'. However, his perception was not shared by conductor Yehudi Menuhin, who found the space acoustically challenging: 'If it is full of people it sounds like the bird house at the zoo.'
机译:南岸中心最近获得了艺术理事会和遗产彩票基金会的赠款,用于伊丽莎白女王大厅和海沃德美术馆的维修。该项目包括对大厅的门厅进行翻新,在此照片中可见于该建筑物于1967年3月正式开放时拍摄的照片。一年之后,设计团队的Peter Moro对QEH进行了公开评估-由RIBA杂志发布那年六月,他将门厅形容为“建筑中最有趣,最成功的部分”。他还称赞皮革座椅的指环,由于其透明的塑料支撑,它们似乎漂浮在大理石地板上。莫罗认为,尽管门厅的形状不规则,并且“天花板的造型相当暴力”,但细节上的一致性和对所用材料的限制使门厅总体上具有沉稳的印象。但是,指挥家耶胡迪·梅纽因(Yehudi Menuhin)并没有分享他的看法,后者发现这个空间在声学上具有挑战性:“如果到处都是人,那听起来就像是动物园里的鸟屋。”

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  • 来源
    《RIBA Journal》 |2015年第6期|106-106|共1页
  • 作者

    Valeria Carullo;

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