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The Devil as Cognitive Mapping

机译:作为认知映射的魔鬼

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摘要

In this essay I show how the Devil has and continues to be one of the most pervasive symbols of the workings of capitalism and its historical penetration into communal and everyday life. First, I briefly sketch the historical transformations in popular and literary images of the Devil throughout post-medieval Western history, connecting these to specific historical transformations of capitalism as a historical social system. Second, I draw on Michael Taussig's work on the role of metonymic symbols in the social representation of capitalist practices and on Fredric Jameson's notion of cognitive mapping to show how we can conceive of the repeatedly observed appeal of the figure of the Devil in those terms. Finally, I examine recent representations of the Devil in Hollywood film to show that the Devil continues to be an intuitive symbolic resource to “map” the global, consumer-based capitalist system in late modernity.
机译:在这篇文章中,我将展示魔鬼如何并且继续成为资本主义运作及其在公共和日常生活中的历史渗透的最普遍的象征之一。首先,我简要地概述了整个中世纪后西方历史中恶魔的流行和文学形象的历史变迁,并将其与资本主义作为历史社会制度的特定历史变迁联系起来。其次,我借鉴迈克尔·陶西格(Michael Taussig)的著作,研究转喻符号在资本主义实践的社会表征中的作用,以及弗雷德里克·詹姆森(Fredric Jameson)的认知测绘概念,以展示我们如何构想用这些术语反复观察到的魔鬼形象。最后,我研究了好莱坞电影中魔鬼的最新表现,以表明魔鬼仍然是一种直观的象征性资源,可以“映射”近代晚期的全球性,基于消费者的资本主义体系。

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