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首页> 外文期刊>Research in Drama Education >‘Is that what you really want?’: a case study of intracultural ensemble-building within the paradoxes of ‘urbanicity’
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‘Is that what you really want?’: a case study of intracultural ensemble-building within the paradoxes of ‘urbanicity’

机译:“这就是您真正想要的吗?”:“城市化”悖论中的文化内整体建设案例研究

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Ensemble-building is a practice within drama education that is understood to be a powerful metaphor for democratic living. However, this ongoing work in classrooms also demands that teachers understand and enact a broad, interrelated range of knowledge, skills, and values that support participants’ encounters with conflict and representations of change. In this sense, ensemble-building is not simply about getting along, but embodies an ‘intracultural’ practice of ‘living together’ while learning and using creative strategies for ‘fighting together’. In this qualitative case study of ensemble-building as an intracultural practice we present the key forms of knowledge, skills and values that two teachers enacted to create conditions for trust and knowledge production with a group of African American students at a racially segregated urban secondary school and a collaboration between this group and multi-ethnic and multi-racial university students in a theatre arts programme. Their work, and the work of ensemble, we argue, is shaped by and within the intersections of ‘urbanicity’ where urban life is recognisable and lived beyond the boundaries of urban centres through the paradoxical conditions of rigidity and creativity, stability and mobility, and anonymity and visibility.View full textDownload full textKeywordsensemble, urban education, drama educator, anti-oppressiveRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13569783.2011.566991
机译:整体演出是戏剧教育中的一种实践,被认为是民主生活的有力隐喻。但是,课堂上正在进行的这项工作还要求教师理解并制定广泛,相互关联的知识,技能和价值观,以支持参与者遇到的冲突和变化的表现。从这个意义上讲,合奏建设不仅是相处,而且还体现了“共同生活”的“内部文化”实践,同时学习和使用创造性的策略来“共同奋斗”。在此定性案例研究中,将集成建设作为一种文化内实践,我们介绍了知识,技能和价值观的主要形式,两位教师制定了这些知识,技能和价值观,以与一群种族隔离的城市中学的一群非洲裔美国学生创造信任和知识生产的条件以及该小组与多民族和多种族大学生在戏剧艺术计划中的合作。我们认为,他们的工作以及合奏的工作是在“城市性”的交汇处或内部形成的,在这些交汇中,城市生活是可识别的,并且通过僵化和创造力,稳定性和稳定性的悖论条件而生活在城市中心之外。流动性,以及匿名性和可见性。 facebook,stumbleupon,digg,google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13569783.2011.566991

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